Katsura Kaishi is the premier performer of Rakugo in English. He was recently awarded the Ministry of Culture award for Cultural Exchange. He has won numerous prestigious awards for Rakugo, including the NHK Japan National Television Award for Young Artists, the Ministry of Culture Yew Artist Award, The Hanjoutei Yose Theatre Award for Explosive Laughter, and others. He is one of the most popular storytellers in Osaka, Japan. Up until now, Rakugo could only be seen in Japan. But, in order to bring this art form to the world, Kaishi has, since 1997, performed in over 12 countries including England, Australia, Canada, India, Brunei, and The Phillipines. In all he has performed abroad over 200 times! In 1999 he made his debut at the Just for Laughs comedy festival in Montreal, Canada. In 2007, he presented a full “Yose” lineup Off-Broadway, a full week of sold-out shows that drew the attention and acclaim of both the Japanese and American media. He is currently touring the United States on a Ministry of Culture grant for cultural exchange.
Having been awarded the Japanese grant for cultural exchange, for the purpose of introducing Rakugo to the world, Kaishi begins his journey on April 1, 2008 in New York. From there, he will travel by car to Seattle, San Francisco, Los Angeles, Los Vegas, Chicago, and other cities and towns on a grand American tour ending again in New York.

Piling just his living essentials and his Rakugo tools kimono, fan, hand towel, cushion, and unique sense of humor, Kaishi will perform Rakugo in English in more than 30 States.

And not just in theatres! Comedy clubs, schools, on top of bar counters, on the back of tractor trailers... Kaishi can turn almost anything into a platform for Japanese traditional comedy! America, prepare to laugh your heads off, Japanese style!
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Performance in Berkeley
Though it would apply to any performance, making a good atmosphere of theater hall is very important for Rakugo due to its simplicity.

Atmosphere makes a big difference in audience's reaction.

In a way, the step of creating a stage decides some part of the show's success.

That is why I take it very seriously.

I put a lot of efforts into it and pay attentions into all the details.

Normally, I arrive at a theater at least 3.5 hours in advance to the show and work on the stage preparation with the theater staff until very last minute in order to make it to the best condition.

The most difficult part is that theater staff in U.S., not like in Japan where I always perform, of course doesn't know anything about Rakugo.

Also, there is one serious cultural gap between us. Because most of American theater staff thinks the safety at first, they tend to make stages lower than I expect it to be.

(Me) "I want the stage a bit higher!"

(Staff) "No, it's too dangerous. It should be all right. The audience can see your face and they can hear you enough."

I cannot back off here because I want to have a good stage for my performance.

(Me) "No, no, no. Because I perform Rakugo with my whole body, I have to make sure my audience can see me not only the face but from head to toe. Could you please put the stage a bit higher?"

(Staff) "No! There is no way. Oh, maybe you should stand up on the stage so that everyone can see your whole body?"

I am thinking in my head, "I am NOT a stand-up comedian. This old dude doesn't know nothing…"

Even though how hard it is, I have to be persistent and patient to complete my stage to my satisfaction.

Honestly, I am always exhausted at this point before performance.

I even can say I am taking my break on the stage.

But tonight's performance in Berkeley was so smooth! The staff was excellent!!

We just needed only one and half-hour to complete the stage because we requested all our requirements in the previous meeting.

"GAIA THEATHER" was such a breathtaking venue with about 100 seating space.

It was a big help for us as well that this theater already had a huge built-in screen in the background, as we always play my DVD between my Rakugo performances.

Special thanks to the staff from Center of Japanese Studies at University of California, Berkeley for your great support!

We celebrated tonight's success with Sushi and beer after the show.

I loved California Roll!

by usarakugo | 2008-05-19 02:14 | diary
Performance in San Jose!!
Unexpected guests came over to my show today.

One of them was graduated from “JOY” in Obihiro, Hokkaido where I performed before This time, she brought her cute daughter with her to see my show. It took for them 2 hours to get here!! Thanks!!

The other couple was yoko san and Tsukasa san. They really love Rakugo and come to the “Kaneyo Kiseki” that's taken place in Kyoto every month. They told me that they came all the way from Japan only to see my show. I was so surprised, but the truth was that they came to the USA because of Tsuksa san’s business.

At the reception, the guests and I really enjoyed a wonderful classic taste of Japanese green tea, “Oi Ocha,” produced by Itoen. This tea is the most popular green tea beverage in Japan. The great thing is that "Oi Ocha" is high in antioxidants, unsweetened, and calorie free!!
You can now buy this tea in the USA!! Check it out !!

by usarakugo | 2008-05-17 23:00 | diary
Brotherhood without borders

I bumped into someone very special today here in Portland.

I try to recall when it was…

Whey I still served my apprenticeship to Shisho (“master” or “teacher” in Japanese) Bunshi Katsura as a Rakugo performer, I met Matt who came all the way from America to Japan in order to study Rakugo at a Japanese university.

My Shisho also loved Matt very much and took good care of him like a real apprentice, teaching Rakugo, showing around, and treating for dinner. By knowing not only my Shisho's skills by his personality, Matt seemed to be more fascinated with Rakugo world.

I still remember they were having a great time together as they were real Shisho and apprentice. Their relationship was actually more than that.

The very man, Matt, came to see me all the way from Hawaii to Portland!!

Matt said, "Katsura Shisho took great care of me back then. I really owe him for his kindness. If his apprentice (me) comes to my hometown (he was from Portland!), I have to come to support more than anything."

I was waiting for me to arrive at the hotel lobby.

But I made him wait for 1 hour…

If Shisho was here, he must be furious and kick my butt…

Instead, Matt welcomed me with his big smile. He even sent beautiful roses with a warm message to my hotel room.


Matt is not an official apprentice brother, but he, in my heart, is my brother who received the same love from Shisho.


I almost cried when I thought Shisho made us meet from heaven.

My Shisho was really a great man, who was loved by fans even beyond countries.

I have to put my 120% to tomorrow's performance in front of Matt.

I cannot embarrass my Shisho!!
by usarakugo | 2008-05-07 02:12 | diary
My impression of Oregon before visit to Portland was the country state with a lot of nature, but Portland was actually a charming town with a great combination of natural beauty and urban life style.

Not many of us know, but Portland has deep connection with Japan. For example, the very first English teacher who taught English to Japanese was from Portland.

I am going to perform at Portland State University tomorrow.

I went to check out the venue as soon as I arrived to the city.

First, I visited Prof. Kominz's class. Prof. Kominz had learned KYOGEN (a form of traditional Japanese theater) from Mr. Sensaburou Shigeyama and now teaches it to American students in English.

They were practicing very hard for the theater performance in June.

by usarakugo | 2008-05-05 02:01 | diary
Western Washington University
Today’s performance takes place at the Western Washington University. The venue is “Old Main Theater.” It has a seating capacity of 200. It looks really nice.

I am really looking forward to seeing today’s audience!
by usarakugo | 2008-05-02 03:24 | diary


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